Interior designer: Judith Nadler Ellerman, Judith Nadler Interiors, 5239 E. Palo Verde Pl., Paradise Valley, AZ 85253-3344; 847/209-1771.
Landscape design: Bernard Jacobs, Jacobs/RyanAssoc., 1527 N. Sandburg Terrace, Chicago, IL 60610-1312; 312/664-3217, jacobsryan.com.
Text by Amy Elbert
Photographs by Werner Straube
Produced by Hilary Rose
Heavy caissons loaded with munitions and military supplies rumbled through great arched doors of the Fort Sheridan artillery stable in the early 1900s. Today, the 10-foot-tall doors allow gentle cross breezes to flutter linen draperies in the serene living spaces of interior designer Judith Nadler Ellerman and husband John. Scents of roses, lavender, and catmint waft indoors from the surrounding gardens where horses and soldiers once stomped in the dust.
The Ellermans’ brick residence was built in 1892 as a storage stable at Fort Sheridan, a United States military installation north of Chicago near Lake Forest, Illinois. Shortly after the fort was closed in 1993, a developer bought the property and renovated several of the buildings to create the Fort Sheridan residential community. The Ellermans were living in a nearby Chicago suburb when they heard that the converted artillery barn, where the developer was living, was on the market.
As an interior designer and former real estate agent, Judith couldn’t resist taking a peek. “We never intended to live there, but when we walked in, it was spectacular,” Judith says. “It was a loft-like building in the suburbs, combining the softness of a home with the hardness of a military shed.”
That surprising mix resonated with Judith, who has long preferred the unexpected to the predictable when it comes to design. “I think it’s important to have a look that is not too serious or too predictable,” says Judith, who often combines French antique furniture with contemporary sculptures and tribal art. “I love the interplay of antiques and objects from all cultures with clean-lined architecture and modern details,” says the designer, who has traveled the world with John, collecting art and furnishings, from ancient to modern.
With its soaring ceilings (up to 26 feet in the living room), rows of arched doorways, industrial steel railings, and reclaimed hickory floors, the converted stable was perfectly suited for the couple’s eclectic collections. A large abstract painting by Lamar Briggs hangs on the stair wall, and three modern sculptures by Bruce Gueswel share space with an antique French armoire under the steel staircase.
Walls divide the 132x31-foot space on the main level into several rooms, with the living room in the center, and the kitchen and the master suite at either end. Second-story rooms were added at both ends of the long space and are linked by a steel bridge-like hall that overlooks the living room.
Sixteen original brick archways scallop along the two long sides of the main level. The archways are fitted with French doors, sidelights, and transoms that permit cross ventilation, plenty of sunshine, and fabulous indoor-outdoor traffic flow.
“We entertain a lot, and this is a wonderful house for that,” Judith says. Nearly every room on the main level opens to gardens, many with inviting outdoor dining and sitting areas. Gardens are linked by winding paths made with bricks salvaged from one of the fort’s old horse stable floors.
“John will have his coffee in the east-facing garden in the morning,” Judith says. “In the late afternoon we sit in the west garden. You can follow the sun around the house.”
The gardens are ablaze with color all through the growing season, and they inspired Judith’s interior palette. Walls throughout the house had been painted an elephant gray, which tended to cast a gloomy spell--especially on rainy Chicago days. “I love gray, but this was a little too ponderous,” says Judith. “I found it depressing.” She perked up the palette with warm yellows, golds, and peaches (think daylilies). “I wanted to upholster the furniture in colors that would warm the spaces and provide weight to balance the architecture,” she explains. Anchoring the living room is a pair of oversized sofas upholstered in yellow cotton chenille on a pale yellow-and-white plaid rug.
Two large armchairs and an ottoman are covered in a needlepoint-inspired floral with a brown background and peach accents. “That fabric pulled it all together, with the brown wood floor and gray walls. It brought the inside out and outside in, creating a fluid continuity,” Judith says. “Then I stayed in that palette throughout the house.”
Window treatments are simple--unlined linen draperies that filter light but don’t block breezes. “If you have beautiful views outside, you want them to come in,” Judith explains. For a clean uninterrupted line, she hung the draperies on extended rods that span two sides of the living room.
The couple’s art collections, mix of furnishings, and landscaped gardens are woven together with color, infusing the home with energy and charm. And that’s what makes even an old artillery barn a warm and inviting home.
Brick: Reclaimed from the floors of the original stables.
A modern steel staircase introduces a loft-like feel to the traditionally furnished living room. A large abstract painting by Lamar Briggs hangs on the stair wall, and three modern sculptures by Bruce Gueswel share space with an antique French armoire under the steel staircase. You can see several of the original brick archways; the two leading to the outside are now fitted with French doors.
Sofas; coffee table; chandelier; drapery; drapery rods: owner’s collection.
Sofa fabric (“September”/Yield #5000-10): Joseph Noble, 214/741-8100, josephnoble.com.
Silk trim on sofa (“Sourire de Soie Fringe”/Antique Gold #30406-340); plaid pillows on sofa (“Lockwood Figured Plaid” #89297-M14, discontinued); pillow trim (#30426-M83): Brunschwig & Fils, 800/538-1880, brunschwig.com.
Animal-print pillow fabric (“Bengal”/Multicolor #NC607-090, silk): Nancy Corzine, 312/645-4500, nancycorzine.com.
Upholstered chairs (“Mayfair Club Chair” #CH228-L-TRN, custom size, by Edward Ferrell): Edward Ferrell-Lewis Mittman, 336/841-3028, ef-lm.com.
Ottoman: owner’s collection.
Fabric on chairs and ottoman (“Ombrement Grospoint”/Brun #89344-874); cording on chairs and ottoman (“Complement Large Cord on Tape”/Olive, Rust #39070-M46): Brunschwig & Fils, 800/538-1880.
Floor lamp: Murray’s Iron Works, 323/521-1140, murraysiw.com.
Lampshades (custom): Edgar-Reeves, 404/237-1137, edgar-reeves.com.
Rug (“Heather Glenn,” wool): Karastan, 800/234-1120, karastan.com.
Paint (DKC-12): Donald Kaufman Color, 212/594-2608, donaldkaufmancolor.com.
Ceiling paint (“Brevity”#32-29); trim paint (“Old Mystic”#2286, discontinued but can be custom mixed): Pratt & Lambert Paints, 800/289-7728, prattandlambert.com.
Horse head sculpture; art in stairwell (by Lamar Briggs); table between club chairs; armoire: owner’s collection.
Sculptures under stairs (by Bruce Gueswel): Bruce Gueswel, firstname.lastname@example.org .
Reclaimed hickory floors in the old Fort Sheridan storage stable link the dining room with a sitting area in the kitchen. A Jim Thompson Thai silk plaid on the dining chairs repeats colors in the modern art.
Table; chairs; mirror; French chest; lamp on chest; Chinese vase on chest; sculpture on chest; wing chairs in background; ladder: owner’s collection.
Dining-chair fabrics (“Songka”/Magenta #3047/06; “Similan”/Magenta #3048/06; “Singburi”/Magenta #3046/06): Jim Thompson, 800/262-0336, jimthompsonfabrics.com.
Painting over French chest (by Kirk Deffebach): Deffebach Gallery, 518/828-2535, deffebachgallery.com.
Art behind table (by Freidel Dzubas): owner’s collection.
Wing-chair fabric (“Zambezi Grospoint”/Moss #89114-406); chair trim (“Frange Torse Rope on Tape”/Petrole #90540.05/19): Brunschwig & Fils, 800/538-1880.
The painting is by Kirk Deffebach.
Painting over French chest: Deffebach Gallery, 518/828-2535, deffebachgallery.com.
Multiple archways with new French doors open the house to the pergola-shaded gardens.
Chairs; Chinese stools; bench; birdhouses: owner’s collection.
Chair-cushion fabric (“Big Stripe”/Moondoggie #400-87, colorway discontinued); trim (“Big Cord”/Sunrise #BC-13); back-cushion trim (“Big Cord”/Storm #BC-20); bench-cushion fabric (“Mosaic”/Medici Gold #750-70, discontinued); trim (“Big Cord”/Sunrise #BC-13): Perennials Fabrics, 888/322-4773, perennialsfabrics.com.
Tables between chairs: Smith & Hawken, 800/981-9888, smithandhawken.com.
Ann Sacks tiles set on the diagonal create a stunning backdrop in the kitchen. An antique French butcher-block table and pot rack (an upside-down meat rack) provide interest and function.
Cabinetry; cabinetry hardware; hood; hanging pot rack; hanging utensil racks; granite countertops; pendant lights over table: original to house.
Range: Thermador, 800/656-9226, thermador.com.
Backsplash tile: Ann Sacks, 800/278-8453, annsacks.com.
Faucet for island sink: Grohe America Inc., 800/201-3407, groheamerica.com.
Refrigerator: Sub-Zero Inc., 800/222-7820, subzero.com.
Butcher’s table; small rug in foreground; bar stools: owner’s collection.
Large rug runner (antique): Stark Carpet Corp., 212/752-9000, starkcarpet.com.
Breakfast table (custom); chairs (antique): Judith Nadler Interiors, 847/209-1771.
Fabric for chair seats (“Norwich Woven Stripe”/Red, Brown #89467-M14); chair trim (“Complement Small Cord on Tape”/Eggplant,Ginger #39069-M76); cushion ties (“Complement Chair Tie”/Eggplant, Ginger #39079-M76): Brunschwig & Fils, 800/538-1880.
White marble countertops are ideal for rolling out pastries. Antique copper items are displayed with a vintage French railroad clock.
Cabinetry; countertop and backsplash (Italian Verde Bianco Nalgia white marble): original to house.
Dishwashers: Miele Inc., 800/463-0260, miele.com.
Clock (antique rail station clock): Judith Nadler Interiors, 847/209-1771.
A soft palette and Karastan carpet create a serene setting in the master bedroom. A window arch frames an antique French dough box.
Bed; chairs; ottoman; glass side table; chest; bedside lamps; floor lamps: owner’s collection.
Fabric for duvet; Euro pillows; chairs and ottoman (“Padua” #1330/03, by Grey Watkins, discontinued); trim for chairs and ottoman (“Couleurs Cord/Tape” 9MM #PL42640205, Old World Weavers); trim on bottom of chairs and ottoman (“Couleurs Galon, Venus”/Natural #PL42410205, Old World Weavers): Stark Fabrics, 212/355-7186.
Bed skirt: Clarence House, 800/803-2850.
Bedside tables (custom): Judith Nadler Interiors, 847/209-1771.
Linen drapery; bookcases; bookcase lighting: existing.
Paint (DKC-12): Donald Kaufman Color, 212/594-2608, donaldkaufmancolor.com.
Ceiling paint (“Brevity”#32-29); trim paint (“Old Mystic”#2286, discontinued, but can be custom mixed): Pratt & Lambert Paints, 800/289-7728.
Carpeting (“Natural Contours II/Flagstone, by Expressive Designs): Shaw Industries Inc., 800/441-7429, shawfloors.com.
Art over bed (by Hal Larson): owner’s collection.
Chairs and ottoman are in Grey Watkins fabric from Stark.
Sculpture in seating area (Il Baccio, by Ric McClain): Ric McClain, mcclainsculpture.com.
Fabric for chairs and ottoman (“Padua” #1330/03, by Grey Watkins, discontinued); trim for chairs and ottoman (“Couleurs Cord/Tape” 9MM #PL42640205, Old World Weavers); trim on bottom of chairs and ottoman (“Couleurs Galon, Venus”/Natural #PL42410205, Old World Weavers): Stark Fabrics, 212/355-7186.
Designer Judith Nadler Ellerman and her husband, John.
Every home has a distinct voice and personality, and a designer needs to listen, says Judith. That personality is determined by the architecture, outdoor surroundings, and, of course, the people who live there. “It’s an entire organic unit,” she says. The flowers in gardens surrounding her Chicago home sparked her interior color palette, while multiple doors helped define furniture placements. Judith has been a designer since 1975, working in Chicago, Atlanta, and Arizona. The couple recently moved permanently to Paradise Valley, Arizona, after building a home there.