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Here, the designer drapes the room in scene-stealing white, using red as an accomplice rather than giving it a starring role. The bright primary hue doesn't attempt to compete, making only cameo appearances. Stripes on a bench cushion, piping on table linens, and tiebacks for white curtains framing a shelving display of shapely serving pieces all demonstrate that the mostly monochromatic scheme can handle jolts of intensity. An artful Andy Warhol-like arrangement of Campbell's soup cans on higher shelves peeks through the top, uncurtained windowpanes.
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