New York designer Watson, above, praises Joan’s impeccable style, and it’s no coincidence that the designer shares her quietly refined taste. "We definitely have similar viewpoints," Watson explains. "After her initial phone call from Colorado, I knew I had to meet this person because she had so much to teach me. In design, we all have our muses. Joan is one of mine. I inspire her style; she inspires mine."

Their mutual admiration isn’t just talk. It yields results.

In every room, Watson practiced restraint. What’s absent is as important as what’s present—maybe more. "The spaces are tightly edited," he says. "When you look at the dining room, you’re able to see the gorgeous grain of the woods. You can also see the architecture. Those things aren’t hidden by a lot of objects. Each element is allowed to become architectural, with its own strong silhouette."

The dining room is big enough for the Komans’ large family.

 

A period Sheraton table and an antique French chair sit in the dining-room alcove.

A striking testament to that restraint is the entry, where a round antique Georgian table and a pair of terra-cotta urns on columns prove that minimal can make a mega impact. The room’s evolution was a collaboration between Joan and Watson. "We were in New York, looking for furniture, and Marshall took me to see this table with its beautiful wood and ‘just right’ proportions. It was so exquisite we decided to buy it," Joan recalls. "Then I saw these two urns, and of course we had to have pedestals for them. That was what was so fun about shopping with Marshall. There was always this element of surprise. When we saw something we liked, he figured out a way to make it work."

The urns, Watson adds, are a good illustration of pieces with strong silhouettes. Reproductions with a little age on them—he guesses these to be 20 or 30 years old—the urns also have an "exquisite patina" that he says characterizes all the furniture and accessories. In this case, it’s "efflorescence, a white crust that is the result of lime leaching out of the terra-cotta over a period of years."

With only a few furnishings, the entry makes a dramatic architectural statement. The French doors and sidelights are gracefully geometric, with their shape underscored by the round counterpoint of the circle fountain outside.

The couple added the courtyard fountain.

Because Watson understood what had attracted Joan to the St. Louis house, he was able to preserve those features while bolstering weaker areas and correcting the mistakes of previous decades.

Built in 1938 in a Normandy style, the house was an architectural beauty downstairs. Upstairs, not so much. "It was a disaster," says Watson. "It was a rabbit warren of small rooms. Our challenge was to create more graciously scaled spaces in character with the rest of the house."

Its Normandy style and large scale attracted the Komans to the house seen here.

Watson made major architectural changes to the family room, including the addition of the Palladian window/door that replaced dated glass sliders.

Going into the attic to raise the ceilings to 11 feet, then adding interest with tray ceilings, brought better scale and detailing to the upstairs. Opening up the rooms to create a large master suite completed the transformation.

Above, the bedroom exhibits the graceful proportions, balance, and careful selections that characterize the entire house.

While Joan describes her style as "classic, understated elegance," she’s quick to praise its practical side. "Not only does it never go out of style, it makes a home very comfortable." That’s important when you have seven children and 13 grandkids, including a pair of 1-year-old twin boys. "Our large family was really why we bought the house," she explains. "Before we could get inside, we peeked in the dining room, and I saw that it was big enough for a table that could seat all of us. I was sold."

Bill, a former all-pro linebacker for the St. Louis Cardinals, is just as content, if not more so. "Every time we go away, he asks why we left, since it’s so comfortable here," shares Joan. "And I agree. Each time we return home, it’s a joy."

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Understated Elegance in a Classic Home

Tightly edited spaces in a Normandy style home make a dramatic statement

Written by Candace Ord Manroe
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Alise O’Brien

Going into the attic to raise the ceilings to 11 feet, then adding interest with tray ceilings, brought better scale and detailing to the upstairs. Opening up the rooms to create a large master suite completed the transformation.

Above, the bedroom exhibits the graceful proportions, balance, and careful selections that characterize the entire house.

Hanging lantern: Lewis Mittman Inc., 212/888-5580, trade only.
Drapery (discontinued); shears (wool shears); settee fabric (discontinued): Clarence House Ltd., 800/803-2850, trade only.
Drapery hardware: Blome Corp., 800/875-0042.
Settee: Agostino Antiques, 212/533-3355.
Bedside table: Baker, 800/592-2537.
Table lamp (Mercury glass): John Salibello Antiques, 212/838-5767 and 212/668-7499.
Bed: Leonard’s Antiques, 888/336-8585, leonardsdirect.com.
Headboard: Marshall Watson Interiors, 212/595-5995.
Quilted coverlet (custom): Chelsea Editions, 212/758-0005, chelseaeditions.com, trade only.

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