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Comfortable and Light-Filled in California
A clutter-free, high-style home in California
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Dorothy said it best: There’s no place like home. Although, in John and Jill Kohler’s case, that familiar phrase refers not to their beloved home state of Kansas but to their adopted state of California. After years on the road--including stints in New York City, the Hamptons, London, and, yes, Kansas--the couple felt it was time to put down roots. Not in their native Midwest but in Manhattan Beach.
And who can blame them? With the beach just blocks away, a quiet tree-lined street that feels far removed from the hustle and bustle of nearby Los Angeles, and an idyllic clapboard home (complete with a white “picket” fence), it’s the perfect spot to settle in and raise their two children--Lily, 9, and Charlie, 7.
“Manhattan Beach is a lovely community,” says Jill. “L.A. is so close, yet so far away. It’s nice to know that it’s out there, but honestly, I rarely leave Manhattan Beach. It has a very small, familiar feel. We walk to town, walk to the beach. That is unheard of in L.A., and it’s a big draw for us, having lived in big cities before.”
After many nomadic years shuttling from one city to the next, John and Jill knew exactly what they were looking for in a home. And what they weren’t.
“Our first home was Craftsman style. I wanted this to be the antithesis of that,” says Jill. “I’ve always wanted a home that was white and light. Having moved here from London, I wanted the house to feel classic, but I also wanted the furnishings to feel less formal. More like a Hamptons-style beach house. Classic and sophisticated.”
After finding a lot on a street coveted for its towering eucalyptus trees, John and Jill enlisted architect Douglas Leach, builder Matt Morris, and interior designer Mark Williams to create their London-meets-Hamptons-meets-Southern California dream home. The couple’s design direction for the interiors was simple yet stringent: Less is more.
“I asked Mark for a very muted palette--sand and sea--but minus the predictable beachy elements,” recalls Jill. “No seashells, no cabana stripes, no nautical knickknacks. Just clean lines, relaxing and serene, comfortable yet striking.”
On the main level, white woodwork and a muted palette prevail, creating a combination of traditional and contemporary. Midwestern no-nonsense meets California chic. Rooms spill into one another--each opening onto the next through expansive doorways. Layer upon layer of sun-drenched spaces flow effortlessly, aided by the continuity of wide-plank hickory/pecan floors, hints of subtle sea-glass blue, and crisp linen upholstery.
The palette is straightforward and then some. Williams swathed every room on the first floor in the same creamy shade of white--allowing the architecture and artwork to find their voice without competing with bold color. Patterns and upholstery are kept subtle, with the only hints of beach-inspired hues introduced through the turquoise accessories and gray-blue rugs and textiles. Mantels and shelves are left uncluttered so that beloved items from the family’s travels get the attention they deserve. The furniture is architectural--and mostly custom-designed by Williams. A quiet elegance prevails.
“I tried to design furniture with clean lines and warm, traditional woods,” says Williams. “Each piece had to be simple in design, yet have a point of view. With such great architectural details throughout the house, when it came to the furniture, we stuck with the ‘less is more’ attitude.”
No space heralds this attitude more strongly than the living room, with its sparse furnishings and restrained palette. There’s one cozy seating area--a tailored sofa and a pair of linen-clad chairs--plus two elegant sculptural tables and a smattering of accessories.
Through the dining room, with access to the backyard and kitchen, is the fuss-free family room, the living room’s slightly less formal fraternal twin--and the most lived-in room in the house.
Anchoring the monochromatic space is a custom-designed mahogany coffee table, its intricate angles rebelling against the family room’s simplicity. Sandy tones prevail, keeping the room in harmony with the rest of the house, especially the adjoining kitchen. “We live in the kitchen and family room,” Jill notes. “I love that I can stand at my kitchen counter and be a part of the action.”
Both Williams and Jill agree that the roomy upholstered benches at the kitchen island are favorite elements. Ample enough for two and covered in a charming fabric that plays off the island’s cool blue, they’re the best seats in the house.
“They’re unpredictable,” Jill explains, “and totally practical. They are easy to keep straight and always look nice and neat rather than cluttered, like bar stools.”
Upstairs, in the master suite, the sand-and-sea-inspired color scheme balances the starched London formality with a bit of Bridgehampton beach nonchalance. A turned-wood four-poster and English painted camphorwood chest seem restrained under the lofty beadboard ceiling, offset by the room’s soft palette.
The Kohlers’ take on the final result? They may not be in Kansas anymore, but they couldn’t feel more at home. They have the light-filled, welcoming house that they’ve always dreamed of. A little bit classic, a little bit rolling stone.
Photography: Michael Garland
Architect: Douglas Leach, Douglas J. Leach Architects Inc.,119 W. Torrance Blvd., Suite 24, Redondo Beach, CA 90277; 310/372-5580.
Interior designer: Mark Williams, Mark J. Williams Interior Design, 212 N. Plymouth Blvd., Los Angeles, CA 90004; 323/856-9089, markjwilliamsdesign.com.
Builder: Matt Morris Development, 3508 Highland Ave., Manhattan Beach, CA 90266; 310/546-4300, mattmorrisdevelopment.com.Tags: -
Designer Mark Williams kept the dining room scheme simple to allow the living and family rooms to easily connect. The square table with a bench is conversation-friendly.
Chandelier (Chevalier’’ #10-00303-3708): Niermann Weeks, 212/319-7979, niermannweeks.com, trade only.
Table (cherry parquet top): Mark J. Williams Design, 323/856-9089, markjwilliamsdesign.com.
Dining chairs (“Gainsborough Dining Chair’’): Alton House by Mark J. Williams, 323/856-9089.
Chair fabric (#JW2306): Jasper Fabrics from Michael S Smith Inc., 310/315-3018, trade only. Available through Thomas Lavin, 310/278-2456, trade only.
Tufted bench: Mark J. Williams Design, 323/856-9089.
Bench fabric (“Limoges’’/Garnet #1115-05): ClassicCloth, 785/434-7200, trade only.
Wall paint (“Cornforth White’’ #228); trim paint (“James White’’ #2010): Farrow & Ball, 888/511-1121.Tags: -
The living room’s carefully edited furnishings and subtle patterns give the formal space a casual appeal.
Drapery (“Ghent Casement’’/Parchment): Calvin, 888/732-1996, henrycalvin.com, trade only.
Rug (reproduction Khotan): Mansour Rug, 310/652-9999, mansourrug.com, trade only.
Sofa (“Daphne’’): Alton House by Mark J. Williams, 323/856-9089.
Chair (custom); hanging lantern (custom); floor lamp (custom): Mark J. Williams Interior Design, 323/856-9089.
Sofa and chair fabric (“Sarlat Stripe’’/Sunflower #1124-01): ClassicCloth, 785/434-7200, trade only.
Pillow on sofa (“Regello’’/Umber on Dust #HB1-07’’): Le Gracieux, legracieux.com, trade only.
Pillow on sofa (Susani Yellow #R0543 by Robert Kime): Robert Kime, robertkime.com, trade only.
Wing chair (“The Emma’’ #VH1303): Victoria Hagan Home, 212/888-3241, victoriahaganhome.com, trade only.
Wing-chair fabric (“Hampton Cloth’’/Tabac #2082-02): Rose Tarlow-Melrose House, 323/651-2202, rosetarlow.com, trade only.
Throw (“Clermont’’); ceramic mineral bottles: Hollyhock, 310/777-0100.
Art over mantel (by Robert White): McLean Gallery, 310/456-2226.
Garden stool by mantel: Mecox Gardens, 310/358-9272.
Coffee tray table: Mark J. Williams Design, 323/856-9089.
Side table (“Sheaf of Wheat Table’’): Alton House by Mark J. Williams, 323/856-9089.
Wall paint (“Cornforth White’’ #228); trim paint (“James White’’ #2010): Farrow & Ball, 888/511-1121, farrow-ball.com.Tags: -
The large kitchen and breakfast room connect to the family room and form the Kohler family command center. Williams designed the extra-wide island benches for a clutter-free yet kid-friendly zone.
Cabinetry (custom); countertops (Calcatta Gold marble); island countertop (black granite): Matt Morris Development, 310/546-4300.
Backsplash tile (white iridescent glass tile): Oceanside Glasstile, glasstile.com.
Faucet: Rohl, 800/777-9762, rohlhome.com.
Pendant light over island (“Yoke Pendant’’): Circa Lighting, 877/762-2323, circalighting.com.
Bench at island (custom): Mark J. Williams Interior Design, 323/856-9089.
Bench fabric (“Roulette’’/Clay #RU03, by Peter Dunham Textiles) Hollywood at Home, 310/273-6200, hollywoodathome.com.
Paint on island (“Lamp Room Gray” #88); cabinetry and trim paint (“James White’’ #2010): Farrow & Ball, 888/511-1121.Breakfast area—
Table (custom); chairs (“Lattice Arts & Craft Chair’’); bench (custom): Mark J Williams Design, 323/856-9089. Cushions (“Cruz’’/Pacific Blue #C01, by Peter Dunham Textiles); bench fabric (“Roulette’’/Clay #RU03, by Peter Dunham Textiles): Hollywood at Home, 310/273-6200. Chandelier (custom): Mark J. Williams Interior Design, 323/856-9089. Roman shades (“Conrad Original Sunshades’’/Nimbus #254): Conrad, 866/426-6723, conradshades.com.Tags: -
The allure of the “less is more” family room is in the details—nailhead trim, geometric coffee table, and refined patterns. The adjacent patio seating area and fireplace offer an ideal spot for outdoor entertaining or family campfires.
Rug: Mansour Modern, 310/652-1121, trade only.
Sofa (custom): Mark J. Williams Design, 323/856-9089.
Sofa fabric (“Well Woven”/Blue Stone #1432-01 by Great Plains): Holly Hunt, 312/661-1900, trade only.
Chairs (“Bentley’’ #G2003): Dessin Fournir, 785/434-2777, trade only.
Chair fabric (#1432-01 by Great Plains): Holly Hunt, 312/661-1900, trade only.
Coffee table (“Bridgehampton’’): Alton House by Mark J. Williams, 323/856-9089.
Bronze round side table; striped throw: Mecox Gardens, 310/358-9272.
Pillow fabrics (“Climbing Clematis’’/Dark Indigo #18011-09): Chelsea Editions, 212/758-0005, chelseaeditions.com, trade only.
Pillow fabric (“All Over Floral’’): Bennison, 323/653-7277.
Vase (Country Collection): William Yeoward Crystal, 212/532-2358.
Wall paint (“Cornforth White’’ #228); trim paint (“James White’’ #2010): Farrow & Ball, 888/511-1121.
Stools (custom): Mark J. Williams Interior Design, 323/856-9089Tags: -
Dark woods prevail in the master bedroom but are balanced by soft colors, delicate lines, and soaring proportions.
Rug (Tabriz): Mansour Rug, 310/652-9999, trade only.
Bed (custom, “Bali-Twist Four-Poster Bed’’); mirror (custom); bedside tables (custom): Mark J. Williams Design, 323/856-9089.
Bed cover (“Jungle”/Beige on White #4001-02): Chelsea Editions, 212/758-0005, trade only.
Bolster pillow (“Roselle’’/Cocoa on Coffee #HB2-03): Le Gracieux, legracieux.com, trade only.
Long pillow behind bolster pillow (“Ibrahim’’ #R0411, by Robert Kime): Robert Kime, robertkime.com, trade only.
Table lamp; throw over trunk: owner’s collection.
Trunk: Lee Stanton Antiques, 310/855-9800.
Tulip folk vase: Hollyhock, 310/777-0100.
Bench under mirror (“Six-Legged Bench’’): Alton House by Mark J. Williams, 323/856-9089.
Bench fabric (“Vicenza’’/Caper in Green Tea #2112-04): Rose Tarlow-Melrose House, 323/651-2202, trade only.
Wall paint (“Skylight’’ #205); ceiling and trim paint (“James White’’ #2010): Farrow & Ball, 888/511-1121.Tags: -
The French doors in the master bedroom open to the back patio.
Drapery (“Hemp Linen’’/Green Tea): Rose Tarlow-Melrose House, 323/651-2202, trade only.
Slipper chair (“Catherine Spoon Chair’’): Alton House by Mark J. Williams, 323/856-9089.
Chair fabric (“Sarlat Stripe’’/Sunflower #1124-01): ClassicCloth, 785/434-7200, trade only.
High-backed upholstered chair (custom): Mark J. Williams Design, 323/856-9089.
Chair fabric (“Gavle’’ #JW2306): Jasper Fabrics from Michael S Smith Inc., 310/315-3018, trade only. Available through Thomas Lavin, 310/278-2456, trade only.
Turned bobbin floor lamp: Hollyhock, 310/777-0100.
Metal crosshatch stool: Mecox Gardens, 310/358-9272.
Mercury glass: owner’s collection.Tags: -
The elegant master bathroom is a study in contrast—dark vanities anchor the otherwise bright white space.
Cabinetry (custom); floor tile (white and black marble mosaic): Matt Morris Development, 310/546-4300.
Tile (Carrara marble): The Tile Shop, 510/525-4312, tile-shop.com.
Sink faucet (#U.4718X, by Perrin & Rowe); bath faucet (#U.3721X, by Perrin & Rowe): Rohl, 800/777-9762, rohlhome.com.
Filter faucet (#1100-C): Waterstone Faucets, 888/304-0660, waterstoneco.com.
Mirrors: Urban Archaeology, 212/431-4646, urbanarchaeology.com.
Accessories; stool by tub: Waterworks, 800/899-6757, waterworks.com.
Sconce (“Boston Square One-Light Sconce’’ #SL2941): Circa Lighting, 877/762-2323.
Hanging light: owner’s collection.
Wall paint (“Cornforth White’’ #228); trim paint (“James White’’ #2010): Farrow & Ball, 888/511-1121.
Window treatment (“Hemp Linen’’/Natural): Rose Tarlow-Melrose House, 323/651-2202, trade only.Tags: -
The Kohlers: Lily and John seated; Jill and Charlie.
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