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New York Apartment with Elegant British Style

A Manhattan apartment gets a dose of British style

Written by Lisa Cregan
  • Pieter Estersohn and John Bessler

    Could there be a more life-changing move than one from a stately home on London’s leafy Hampstead Heath to a condo on New York’s Upper West Side? That little jolt of corporate reality is exactly what Lynn Eichenberger faced a few years ago when her banker husband, Stephen, was transferred back to the United States after 10 happy, child-rearing years in England. London had become home for Lynn. So the mission for architect James Wagman and interior designer Celerie Kemble was as much psychological as physical—they needed to transform an architecturally ordinary duplex on the 21st floor of a Depression-era tower into a place with the kind of Old World character and grace their homesick client had grown accustomed to.

    Wagman was very familiar with the building, having worked previously on eight of its apartments (including his own mother’s), and he knew all the tales. “This apartment was Ethel Merman’s at one point,” he says, “and not much had been updated since.”

    A substantial renovation seemed the answer. “It was a full gut,” explains Kemble. “We spent most of our time standing around in the freezing cold in the bare bones of the place, but we still wanted to stay at the end of the day and have a cup of tea. This job was all about nice people being nice to each other, which is kind of rare.”

    The most dramatic alteration in a spectacularly dramatic overhaul was the redesign of the entry. Originally, guests walked through the front door and found themselves in a claustrophobic stairwell. “It was like walking into a mouse house—it was the apartment’s Achilles’ heel,” Kemble recalls. Wagman borrowed from the Arts & Crafts aesthetic of 19th-century architect H.H. Richardson to deliver an elegantly redesigned foyer. An array of highly waxed mahogany panels now stretches from floor to ceiling and climbs the stairs to the second-floor library, beautifully realizing Lynn’s dream of an entry “not grand but still awe-inspiring.”

    At every opportunity, Kemble and Wagman chose beautifully crafted traditional design, then punched it up with joyful hits of the unexpected. Take the dining room’s striking green walls. “We definitely had some back-and-forth about that color,” laughs Kemble, “James and Lynn weren’t high on painting the whole room—moldings included—in the same dark color. It sounded crazy to them.” Wagman admits, “We did fight Celerie tooth and nail over that dining room lacquer. In retrospect it was foolish, because now it’s the nicest room in the house.”

    Today, natural light streams across the gleaming antique table and chairs the Eichenbergers brought back from abroad, and Kemble proudly describes the room as “a box of reflected light with a beautiful deep-teal glow.”

    In the large living room, Wagman raised the room height to a majestic 13 feet by removing a 1960s dropped ceiling. Kemble promptly covered the expanse of walls in an ethereal pale aqua silk. “I think silk creates an emotional response,” she says.
    “The walls are more of a fog than a dead end; they’re more mood than flat color.”

    The living room is divided into two well-appointed seating areas—one for more formal affairs with two sofas separated by a delicate glass coffee table, plus two French-style bergères upholstered in sage green. The opposite end of the room accommodates comfy club chairs that swivel to face a television hidden behind a sliding panel in a built-in bookshelf. A bold-textured rug unifies the room while also quietly stealing the scene. 

    “The pile and pattern of this rug remind me of the maze at Hampton Court Palace,” says Lynn happily. “But my husband teases Celerie that next time we visit London we’ll have to find an antique Oriental rug for the living room. Her eyes get very wide, and she says, ‘NO!’ ”

    “I like Oriental rugs, too, but in moderation,” Kemble offers. “Too many antique carpets get musty fast.”

    Mustiness was never going to be an issue with this team, even with the profusion of antiques and ceramics that Lynn had collected in London. “Her color palette is blues, greens, and yellows—I call them happy botanical colors,” says the designer, “and although Lynn has extremely traditional taste, she let me go a little more vibrant, do traditional with a dollop of modern.”

    Like the raspberry and kelly-green bedroom that’s set aside for visits from Lynn’s two grown daughters. “I’m from Palm Beach, so pink and green come easily to me,” Kemble notes, “and this palette makes the girls’ room fun and fresh and different from the rest of the house.”

    In contrast, the master bedroom is a soft buttery yellow cocoon of silk upholstered walls—a treatment Lynn really wanted. “I think it’s a very comfortable kind of thing in a bedroom,” she says, “like something you’d see in a great hotel.”

    But Lynn’s favorite space, and the room in which she spends most of her time, is the kitchen. Wagman combined three small rooms to give Lynn, a former caterer who loves to cook, an expansive kitchen. New French doors lead out to a 2,800-square-foot terrace that wraps the apartment and has astonishing views of Central Park and the Manhattan skyline. “The terrace was just raw space originally,” says Wagman, who reimagined it with a regal (and very English) row of columns and an outdoor living room.

    In the summer, Lynn’s pots overflow with herbs, hydrangeas, and espaliered apple trees. She grills outside all year long. When Lynn, Stephen, and their children (Sarah, 28, Emily, 26, and Sean, 24) all manage to cross paths for one of Lynn’s alfresco meals, apartment life must seem far closer to those pastoral years across the pond than to the clamor of Manhattan streets below. 

    Photography: Pieter Estersohn and John Bessler
    Produced by Jenny Bradley

    Architect: James Wagman, James Wagman Architect, LLC, 277 Broadway, Suite 1201, New York, NY 10007; 212/337-9649,
    Interior designer: Celerie Kemble, Kemble Interiors, 224 W. 30th St., 13th Floor, New York, NY 10001; 212/675-9576,

    Wall covering (Ice Blue dyed silk wallpaper): De Gournay, 212/564-9750,
    Ceiling and trim paint (“Crème de Mint #2036-70): Benjamin Moore & Co., 888/236-6667,
    Sheer drapery (“Colibri”/Celadon #F2658011): Pierre Frey, 866/707-1524, pierrefreycom.
    Area rug (“East End” in color #AD1381, Collection 1074): Patterson, Flynn & Martin, 212/688-7700,
    Pair of sofas (“Carter” #5425-84, by Alexa Hampton); sofa fabric (#2934-11, ivory velvet): Hickory Chair, 800/349-4579,
    Sofa end tables (“Terrific Table”): Ballard Designs, 800/536-7551,
    Tablecloth on end tables (“La Scala Stripe” #26-18, by Jagtar): Arnitex, 866/794-9777,
    Table lamp (“Mirabella”): Festoni, 713/830-1077,
    Coffee table: Amy Zook Antiques, 917/991-9605,
    Eglomise top on coffee table (custom): Miriam Ellner, 212/807-6316,
    Pair of bergères: Greenwich Living Antiques, 203/274-5130,
    Table between bergères (custom): Kemble Interiors, 212/675-9576,
    Vases on windowsill (antique, Chinese cabbage vases): Pagoda Red, 773/235-1188,

  • Pieter Estersohn and John Bessler

    Elegant Living Room in Restful Colors

    An armchair from Hickory Chair swivels to face a television hidden behind a sliding panel in the built-in bookcase. A Patterson, Flynn & Martin rug grounds the room.

    See details of the living room on the following slide.

    Pair of lounge chairs (“Eton” #320-51); fabric (#3041-10, white solid): Hickory Chair, 800/349-4579,
    Pillow on lounge chair (“Lucy”/Marine #8-2553-LG): Groves Bros., 817/921-4450,
    Side table beside chair (custom, ivory shagreen): Kemble Interiors, 212/675-9576,
    Wall sconce (#BLW2002): Nicholas Antiques, 212/688-3312,
    Built-in cabinets: design by James Wagman Architect, 212/337-9649,
    Fabrication: Urban Architectural Interiors, 718/292-1266,
    Console (Louis XVI, by Maison Jansen): Greenwich Living Antiques, 203/274-5130,

  • Pieter Estersohn and John Bessler

    Sophisticated Palette and Sumptuous Fabrics

    Ivory-colored velvet from Hickory Chair covers the living room’s furniture. Nailhead trim adds clean-lined details, while the sofa pillows lend sophisticated color.

  • Pieter Estersohn and John Bessler

    Rooftop Terrace Garden

    Potted plants and topiaries give the rooftop terrace the feel of a lush garden high above the city.

    See more of the terrace on the following slides.

  • Pieter Estersohn and John Bessler

    Balcony Sitting Area with a View

    Lacy outdoor furniture from Richard Schultz provides a place to perch and admire the Manhattan skyline.

    Furniture (Richard Schultz Topiary Collection): All Modern, 800/615-9703,

  • Pieter Estersohn and John Bessler

    Outdoor Living Room

    Steps from the kitchen, a configuration of outdoor furniture and a fireplace sit underneath a shady pergola on the terrace.

    Mantel: design by James Wagman Architect, 212/337-9649,
    Fabricaton: Propylaea, 718/401-9393.
    Installation: Foundations Group, 212/924-1724.
    Lounge chairs (Barcelona Collection): Janus et Cie, 310/652-7090,
    Table beside lounge chair (“Fiori”): Country Casual, 800/289-8325,
    Flooring: existing.

  • Pieter Estersohn and John Bessler

    Wood Paneled Entry Hall

    Walls sheathed in waxed mahogany contrast with the matte texture of the limestone-and-marble floors.

    Flooring (“Giallo Elena”); small squares (“Emperador Dark”): Pro Design Inc., 718/274-4444.
    Demilune: owner’s collection.  
    Flooring: existing.

  • Pieter Estersohn and John Bessler

    Warm Upstairs Hallway

    Curved shelves at the top of the stairs take the atmosphere of the upstairs library into the hallway.

    Paneling and bookcases: design by James Wagman Architect, 212/337-9649,
    Fabrication: Urban Architectural Interiors, 718/292-1266,
    Lights in bookcases: Studio James Long, 212/255-5495,
    Hanging light (“Crystal Pendant” #SM-5264-16): Artsy Lights, 212/759-9672,

  • Pieter Estersohn and John Bessler

    Breakfast Room in Blue and White

    The breakfast nook’s vintage Murano glass chandelier inspired the room’s blue-and-white palette. A custom curved bench covered in a Clarence House toile is Lynn’s favorite spot for morning tea.

    Wall covering (“Block Print Stripe” #BP710): Farrow & Ball, 888/511-1121,
    Ceiling and trim paint (“White Dove” #OC-17): Benjamin Moore & Co., 888/236-6667,
    Cabinetry: Smallbone of Devizes, 212/288-3454,
    Dining table (custom): Kemble Interiors, 212/675-9576,
    Side chairs (“Amsterdam Side Chair” #1552-02, by Suzanne Kasler): Hickory Chair, 800/349-4579,
    Chair-seat fabric (faux leather): discontinued.
    Armchairs: custom.
    Toile armchair fabric (“Santorini”/Blue Toile #34050-3): Clarence House, 800/221-4704,
    Chandelier: owner’s collection.
    Drapery and valance (“Ground Cloth II”/Oyster #2631070): Schumacher, 800/523-1200,

  • Pieter Estersohn and John Bessler

    Bright and Open Kitchen

    Wagman reconfigured three small rooms to create the spacious kitchen. Steps lead to the terrace where the family enjoys alfresco meals along with views of the city.

    Cabinetry: Smallbone of Devizes, 212/288-3454,
    Cabinetry finish (“Mascarpone” #AF-20): Benjamin Moore & Co., 888/236-6667,
    Backsplash (pillowed Carrara Bianco): Artistic Tile, 877/237-4097,
    Island faucet (“Single Hole Kitchen Faucet with Sidespray” #U.4710. by Perrin & Rowe): Rohl, 800/777-9762,
    Gas range; hood liner (“Pro Hood Liner” #PL582212): Wolf, 800/222-7820,
    Stainless steel hood cover (custom): Wainland’s, 800/843-9237,
    Countertop: Carrara Bianco marble.
    Pendant lights (“Romeo Babe S Suspension Lamp,” by Philippe Starck, discontinued): Flos, 866/389-3567,
    Counter stools (“Amsterdam” #1552-04, by Suzanne Kasler): Hickory Chair, 800/349-4579,
    Seat fabric: discontinued.

  • Pieter Estersohn and John Bessler

    Traditional Dining Room in Vibrant Turquoise

    A Murano glass chandelier commissioned by Lynn in London lends the lacquered walls even more sparkle. Kemble tucked grass cloth between the ceiling coffers to bring the eye up and make the room feel taller.

    See dining room details on the following slide.

    Wall paint: custom.
    Ceiling and trim paint (“Atlantic Deep” #19-4726, by Pantone): custom mix at local paint store.
    Dining table; dining chairs; chandelier (Murano); area rug: owner’s collection.
    Drapery and chair-seat fabric (“Yvonne”/Wheat #8500-T): Groves Bros., 817/921-4450,
    Sconces (by Maison Bagues): antique.
    Art (by Giovanni Battista Cecchi): owner’s collection.

  • Pieter Estersohn and John Bessler

    Tabletop Details

    Dainty details in the dining room, like lacey antique placemats and vintage Lucite napkin rings, give the room an air of classic British taste.

    “We wanted to stay at the end of the day and have a cup of tea,” says designer Celerie Kemble.

    Dinner plate (“Fortuny”/Teal); dessert plate (“Aegean Filet” #AG6202): L’Objet,
    Flatware (“Albi”): Christofle,
    Stemware (“Vega”): Baccarat,
    Napkin ring (vintage Lucite knot napkin rings); placemat (antique); napkin (antique): owner’s collection. 

  • Pieter Estersohn and John Bessler

    Handsome Mahogany Library

    A sleeper sofa from Mitchell Gold + Bob Williams turns the wood-paneled library into a makeshift guest room when needed. The area rug from Merida lightens the space.

    See more of the library on the following slide.

    Paneling (Quartersawn Khaya): design by James Wagman Architect, 212/337-9649,
    Fabrication: Urban Architectural Interiors, 718/292-1266,
    Sofa (“Classic English Arm Sofa” #811-0122); sofa leather (#2206): Mitchell Gold + Bob Williams,
    Center pillow on sofa (“Papyrus”/Marsh #PA-02): Katie Leede & Co., 646/707-3569, Through Holland & Sherry, 212/355-6241,
    Ottoman (custom): Kemble Interiors, 212/675-9576,
    Ottoman fabric (“Grande Tour”/Raphael #516-90): HBF Textiles, 828/328-2064,
    Table lamps (“Espresso Grosso” #65173, by Frederick Cooper): Wildwood Lamps, 252/446-3266,
    Sisal rug (“Madison”/Tan): Merida, 800/345-2200,
    Pair of chairs (“Odette”): Mitchell Gold + Bob Williams,
    Chair fabric (“Lago”/Pinolo #DE10307): Holland & Sherry, 212/355-6241,
    Pillows on chairs (“Amun Stripe”/Charcoal #AMS-02): Katie Leede & Co., 646/707-3569,, through Holland & Sherry, 212/355-6241,
    Pillow trim (“Ground Cut Fringe”/Chocolate #CF3004-17): Schumacher, 800/523-1200,
    Purple throw: Rosemary Hallgarten, 203/259-1003,
    Floor lamps (“Bostwick” #65072, by Frederick Cooper): Wildwood Lamps, 252/446-3266,
    Table between chairs (“Chairside Table” #SF5148): Century Furniture, 800/552-5552,
    Drapery (“Palpana”/Siena #DE11281): Holland & Sherry, 212/355-6241,

  • Pieter Estersohn and John Bessler

    Library Desk Niche

    Wagman designed a mahogany-enveloped niche overlooking Central Park as a built-in work area for Stephen. Kemble made it comfy with a wing chair from Hickory Chair.

    Wing chair (“Isaac Wing Chair” #382-55); fabric (“Saltaire Fern Leather”): Hickory Chair, 800/349-4579,
    Desk lamp (“Dorchester Table Lamp” #CHA8188/ABB, by Visual Comfort): Circa Lighting, 877/762-2323,

  • Pieter Estersohn and John Bessler


    (Clockwise from front right): Homeowner Lynn Eichenberger and her golden retrievers Molly and Maui, Celerie Kemble, James Wagman and Anne Bannon of James Wagman Architect, and Kristen Wilson from Kemble Interiors.

  • Pieter Estersohn and John Bessler

    Butter-Yellow Master Bedroom

    An Art Deco-style archway references the building’s pre-war architecture and adds charm to the space. Draperies, headboard, and bed skirt are fashioned from a striped fabric from Pierre Frey.

    Wall fabric (#2836-11, cream textured plain): Hickory Chair, 800/349-4579,
    Ceiling and trim paint (“White Dove” #OC-17): Benjamin Moore & Co., 888/236-6667,
    Area rug (“Madrisa Freilage” 800): Patterson, Flynn & Martin, 212/688-7700,
    Bed (custom): Kemble Interiors, 212/675-9576,
    Striped headboard, bed skirt, and drapery fabric: Pierre Frey, 866/707-1524,
    Bed cover; throw: D. Porthault, 212/688-1660,
    Wall sconces (“Simple Scallop Wall Sconce”#BBL2017, by Barbara Barry, with custom shade): Circa Lighting, 877/762-2323,
    Bedside chest (“Commode with Fluted Carving” #GUS046, Gustavian Collection): Chelsea Textiles, 908/233-5645,
    Benches under window (“Ian Bench” #5423-30, by Alexa Hampton): Hickory Chair, 800/349-4579,
    Bench fabric (“Cabaret” #REG01003, discontinued): Zoffany, 212/319-7220,

  • Pieter Estersohn and John Bessler

    Charming Master Bath

    Mirrored cabinets from Robern stand out against walls covered in Farrow & Ball’s “Broad Stripe” wallpaper.

    Wall covering (“Broad Stripe” #ST 1309): Farrow & Ball, 888/511-1121,
    Flooring; wall tile: Calacatta Gold.
    Vanity cabinet: design by James Wagman Architect, 212/337-9649,
    Fabrication: Urban Architectural Interiors, 718/292-1266,
    Mirrored cabinet (custom): Robern,
    Countertop: Honey Onyx.
    Sink (“Normandy”); faucets (“Opus”): Waterworks, 800/899-6757,

  • Pieter Estersohn and John Bessler

    Pink-and-Green Girl’s Bedroom

    Dressed in a lively Muriel Brandolini print, the headboard harmonizes with a raspberry bed skirt in a Cowtan & Tout linen.

    See more of this bedroom on the following slide.

    Headboard (custom); bedside table (custom): Kemble Interiors, 212/675-9576,
    Headboard fabric: Holland & Sherry, 212/355-6241,
    Bed linens (“Ansonia”/Azalea, by Matouk): Fine Linens, 877/454-6366,
    Bed-skirt fabric (“Jules”/Rose Indien #4759-17): Cowtan & Tout, 212/647-6900,
    Fabric on bedside table (#28864.97, colorway discontinued): Kravet, 888/457-2838,
    Table lamp (#1648 in finish #103): Slip, 828/324-4500,
    Wall sconce (“Dorchester Swing-Arm Wall Lamp” #CHD5101, by Visual Comfort): Circa Lighting, 877/762-2323,
    Area rug (“Balcony 27”/Evergreen on White): Patterson, Flynn & Martin, 212/688-7700,
    Art (collection of prints): owner’s collection.

  • Pieter Estersohn and John Bessler

    Green-Backed Bookshelves

    Bookshelf interiors are painted green, a touch Kemble says brings order to the colorful chaos of books.

    Roman shades: Holland & Sherry, 212/355-6341,
    Desk chairs (“Alexandra Side Chair” #1516-23, by Suzanne Kasler): Hickory Chair, 800/349-4579,
    Desk-chair fabric (#28864.97, colorway discontinued): Kravet, 888/457-2838,
    Green paint on bookshelves (“Bunker Hill Green” #566): Benjamin Moore & Co., 888/236-6667,

  • Pieter Estersohn and John Bessler

    Lovely Lavender Guest Bedroom

    A pair of gold swing-arm lamps from Ralph Lauren Home flank the guest bed, which is dressed in a lavender alpaca throw and graphic pillows designed by Kemble for Schumacher.

    Bed (custom mahogany headboard): Dog Productions, 718/782-7711.
    Purple bed cover (Alpaca throw): Rosemary Hallgarten, 203/259-1003,
    White bed linens (“Lowell”): Matouk,
    Black-and-white pillows (“Betwixt”/Black and White #65683, Celerie Kemble Collection); Schumacher, 800/523-1200,
    Art above bed (Cacophony, by Christopher Wilcox): Natural Curiosities, 323/906-1083,
    Bedside tables (“Bedside Table One Drawer” #MID039, Mid-Century Modern Collection): Chelsea Textiles, 908/233-5645,
    Wall lights flanking bed (“Hunton Swing Arm Wall Light”): Ralph Lauren Home, 888/475-7674,
    Area rug (“Felted Cable”/Pearl): Merida, 800/345-2200,
    Chair (“Jessie,” discontinued): Schoolhouse Electric Inc., 800/630-7113,
    Wall covering: faux suede.
    Ceiling and trim paint (Decorators White): Benjamin Moore & Co., 888/236-6667,