makeovers

Bid On Great Designer Before and After Items (And It’s For A Great Cause)!

Recently at our Classic Woman Awards luncheon in New York, I had the pleasure of  catching up with designer Jennifer Flanders (whose drop-dead gorgeous Manhattan apartment that she shares with two darling daughters we memorably featured in our magazine: http://bit.ly/tmP5fF).

Jennifer Flanders

 

I was pleased to discover that at our Classic Woman awards program a couple of years ago, Jennifer became so inspired by Classic Woman honoree Susan Fredman’s Designs for Dignity organization in Chicago that she decided to establish the same organization in New York. Designs for Dignity uses pro bono designer services, materials and finishes donated by manufacturers, vendors, clients and showrooms to create beautiful, healing spaces for nonprofits and residences that serve people in need (http://bit.ly/w1l6uS ). Its philosophy is that everyone has the right to live in a home they can be proud of, regardless of financial or social status.

For the New York branch’s project, Jennifer had the clever idea of challenging ten top designers to find old pieces of furniture to redesign, with the idea of auctioning them off at a charity event in New York December 1. (You don’t have to be there to bid on an item; in fact, you can do it online: http://bit.ly/rM2RJC). Here is a chair Jennifer herself redesigned with Amy Statuto.

 

BEFORE

 

AFTER

Jennifer says, “We felt this was an apropos way to raise funds because part of what Designs for Dignity does is take advantage of all the waste and excess in the design industry. We are using the fundraiser to show ways in which old pieces of furniture can be given new life and re-used rather than thrown away.  We have a wonderful group of designers donating both their time and resources to this event, and we are hopeful that not only will this effort raise funds to help our NY chapter get off the ground, but it will also raise awareness in the NY design community.”

 

Laura Bohn Associates designed the two-drawer chest below:

 

BEFORE

AFTER

The event, a cocktail reception and auction where the upcycled items can be viewed, is Thursday evening, December 1, from 6 to 9 p.m at Newel’s new showroom at 425 E. 53rd St. Tickets are available online for $75 and at the door for $90.  It’s sponsored by VandM, which sells vintage furniture, antiques,  fine art and jewelry from around the world online (vandm.com). Designers represented are Bradley Stephens, Kevin Walz, Laura Bohn Design Associates, Drew McGukin, Christopher Coleman, Etienne Coffinier and Ed Ku of Coffinier Ku Design, Jim Aman and John Meeks, Jennifer Flanders and Amy Statuto, and Doug and Gene Meyer.

 

The Great Estate

Last week, the Stately Homes by the Sea Designer Show House opened at Holly Hill, a Georgian colonial estate built in 1934 and located near Red Bank, New Jersey. All proceeds from the house benefit the Visiting Nurse Association of Central Jersey’s home care, hospice and community-based programs and services. Traditional Home is honored to sponsor this show house, where the talent of 42 designers and landscapers from New York and New Jersey is on display until June 12, 2011.

Visit hollyhillestate.com for a little more history behind the house and images of the house as it looked before the show house designers came in and worked their magic. And visit statelyhomesbythesea.com for ticket prices, dates and times of operation, and directions to the house.

And now, for a sneak peek of just some of the rooms on display at this year’s show house:

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*all photographs by Stacy Kunstel

Movin’ on up to the East Side: 38th annual Kips Bay Decorator Show House

This week, we received the wonderful news that the Kips Bay Decorator Show House has found a home for 2010 and is underway. Normally presented in the spring, this year’s previously-secured property fell through because someone purchased the townhouse and wanted to move in right away, forcing the project to be postponed.

The new house marks the 38th year of the event and fundraiser, which garners about $1 million each year for the Kips Bay Boys & Girls Club, and receives 20,000 visitors over a four-week period. The non-profit Boys & Girls Club serves more than 13,000 children by providing after-school and enrichment programs at 10 locations in the Bronx.

A recently-renovated 17-room mansion at 106 E. 71st St in Manhattan was selected and will feature the work of designers such as Vicente Wolf, Katie Ridder, and Sherrill Canet (a full list of designers is at the Show House’s website). I can’t wait to tour it and see each designer’s inspiring ideas and applications.

The house is open to the public starting October 14 and remains open until November 11. Tickets are $30 and include the journal and sourcebook.
 
Here are a few highlights from recent past Kips Bay houses:

For those of you who said you like mixing modern art into your decor, this room from Jed Johnson Home (2007, photo: John M. Hall Photography) is one of my all-time favorites.

 
 

A beautiful feminine bedroom from Charlotte Moss, 2008 (photo: Francis Smith)

 
 


In Philip Gorrivan‘s tailored bedroom, art doubles as a compelling headboard (2008)

 
 

Looking from the living room into the dining room, both designed by Stephen Miller Siegel (2008)

 
 

A dramatic chandelier captures attention in this 2006 room by Larry Laslo(photo: Evan Joseph/Alex Barrymore)

 
 


Another example of Jamie Drake‘s phenomenal command of color (2007, photo: Nick Johnson).

designer visions

The proliferation of the Internet, social media, apps, and online collaboration has prompted a handful of interior designers to offer their expertise online at discounted rates, the caveat being that you do the measuring and the shopping. But that means you can set the budget and timeline, and have a little fun!

So far I haven’t come across a service that is as much of a bargain as Designer at Home. And if you haven’t yet used an interior designer—or are on a budget—this might be for you.

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Arkansas Traveler: Antiques & Design

Old Mercantile Antiques in Leslie, Arkansas

This month’s photo shoots brought me to the rolling green hills and winding roads of the Arkansas Ozarks. Driving from Eureka Springs, where we photographed the charming vacation cottage of Dallas designer John Marrs on Beaver Lake, to Little Rock, to shoot designer Tobi Fairley’s vibrant family home (Tobi was named one of Trad Home’s 20 Young Designers to Keep An Eye On last year), I pulled off to fill up the rental car’s tank in the tiny town of Leslie—population 400-something. Just as the clouds erupted with a serious downpour, I decided to stretch my legs and cool off in the two-block-long town. Of course the Jeep pulled up entirely of its own volition smack in front of a colorfully painted antiques shop in an historic building. I had no choice, right?
Turns out Old Mercantile Antiques was stuffed with objects of my heart’s desire. I left with a piece of Tramp Art—a sculptural pyramid over a foot tall consisting of 17 notch-carved boxes. A less tangible treat was discovering that the shop was owned by a fellow ex-pat Texan, Laurie Gross, who, like me, left our native state 22 years ago for other parts. Laurie and her late husband opened the antiques shop and restored the loft above it as their home. If you agree with me that the loft is an unexpected find for such a small,out-of-the-way locale (Laurie’s filled the sitting areas with mid-century modern), you’ll understand when you learn that she is a designer by profession—and a long-time fan of Trad Home’s. She says she “designs long-distance, thanks to magazines like Traditional Home.” What a treat.

Copper: All that Glitters Isn’t Gold

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Pierced copper mantel

Copper is one of those good things I only came around to later in life. As a kid, it was my favorite crayon in the jumbo box (so sparkly!), but the metal itself was something better left on the wrists of arthritic grandmas. Even as a young home design editor, I didn’t quite get it as a decorative element outside the context of an Arts and Crafts house. But after neighbors installed copper gutters, I had to do the same. What previously had been bland conduits for channeling water away from the house suddenly weren’t so boring. They were jewelry. New, they glinted in the sunlight, but without any brashness, as though rose petals had softened their complexion. Then they weathered to that subtle verdigris patina that suggests the character of a house well-lived. I was smitten. A recent project of Des Moines interior designer Kabira Cadogan (www.iN2iTDesignStudio.com) reminded me that copper’s possibilities as a pick-me-up for the home aren’t limited to exteriors. In her vibrant design of a new house for a young family in an historic neighborhood, she turned to copper as an accent material and instant gratification for warmth, color, and character.

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The copper mantel's piercings imbue the living room with a whimsical character.

In the context of the living room's Sticks handpainted furniture and exuberant palette, the pierced copper mantel is more idiosyncratic and edgy than it is old-fashioned.

In the context of the living room's Sticks handpainted furniture and exuberant palette, the pierced copper mantel is more idiosyncratic and edgy than it is old-fashioned.

The designer’s use of copper becomes a transitional tool, weaving the rooms together. She decorated the dining room with a copper chandelier, then repeated copper in the kitchen.

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Dining room's copper chandelier

Copper trim creates a grid on the stone backsplash.

Copper trim creates a grid on the stone backsplash.

How Color-Confident Are You?—Lessons from the Old World

I’ve always admired the Europeans for their bold confidence with color. (Eighteenth-century English country houses equal sunshine-yellow walls, right?) Fast forward to today’s offerings of raspberry, fuchsia, acid green—nothing meek about these hues, yet  Europeans love them. And not the way we do in America. For example, the French, English, Italians, and Spanish don’t confine these fresh-to-brazen palettes to their teens’ rooms or to modern-only spaces. Or even to a single space in need for a swift kick of coomph, as we Americans tend to do.

That’s what so great about how the Old World embraces color. They have no problem upholstering an 18th-century French settee in an up-to-the-minute fuchsia or grape.

New grape introduction from Spanish fabric house, Alhambra

New "Kavana" from Spanish fabric house, Alhambra

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Help! I Need to Rearrange My Furniture!

Arranging someone else’s furniture is like poking your fork in someone else’s plate: You have to know them really well. I have a friend — let’s call her Karen since that’s her name — who will occasionally leap up in the middle of a conversation at my house and move my furniture around. Sometimes she just tweaks the angle of a chair so that it looks caddywanpus to me until I get used to it. Sometimes we do The Harlem Shuffle, complete with oaths and grunting. She always improves both the room’s look and functionality. Read more

Paris Window Shopping

Just returned last week from the big French furniture and fabrics market, Maison de Objet, in Paris, overwhelmed by so many gorgeous products I think you’ll love. I’ll be posting in multiples, with pics…way too much to share in a single blog.

First, I want to show you the coolest thing I saw OUTSIDE the showrooms. It’s art displayed in the window of an antiquarian book shop in the St. Germaine area, near our hotel.

Sculpture by Danielle Marie Chanut, mother of shop owner, Valerie Chanut, Librairie F. Chanut, 41, rue Mazarine, 75006 Paris. Phone: 01-43-54-04-70. Price: E1,500++

Sculpture by Danielle Marie Chanut, mother of shop owner, Valerie Chanut, Librairie F. Chanut, 41, rue Mazarine, 75006 Paris. Phone: 01-43-54-04-70. Price: E1,500+; Photos: Julie Maris Semel

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Free Pass for All Us Pack Rats

Every time I start to houseclean before a party, I’m confronted by my collections. The dust they gather. The clutter they might represent to a more detached eye. The statement they haunt me with—you know, that one about hanging onto baggage and what-not.

But the fact is, I love them. The old black-and-white family photographs in Victorian seashell frames or in smaller micro-mosaic frames collected from travels in Italy (first trip, first frame, trip to Rome with Mother when I was 14; Mother’s been gone 9 years, I still have that first frame) and to antiques shops and flea markets everywhere else; all my books—antiquarian full-leather-bound and otherwise (just short of trade  fiction), that  started as gifts from both grandmothers and have grown to a houseful since—every room book-lined,  each with a different category of books: poetry in entry, family room, and master bedroom; history and art in living room; crime novels, first upstairs bedroom; and so on); my father-the-painter’s brilliant art; turn-of-the-19th-century whimseys (I’m like an ostrich: anything that glistens, sold!); seashells, especially cowries; Victorian seashell boxes and art; Staffordshire; ironstone; etc.

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