Doris Athineos

Rocking Out

Real rockers may prefer digging up their own gems but I’ll take this box of rocks, minerals and fossils slated to hit the auction block at Christie’s South Kensington April 6.

A box of old rocks (estimate: $1,604-$2,406)

British mineralogist  Thomas Russell (1838-1928) began selling rocks in 1848 when he was ten! The goody box contains 36 specimens including lapis, agates and polished pebbles. There’s another tray for fossils.  What a great cabinet of curiosities to have at hand next time some pint-size friends come to visit. When they leave, you can examine the specimens for yourself.  The box includes two yellowed labels–both Russell and his successor, William James Shaw.

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Where to hunt for beautiful, bold antiques in NYC

Rock crystal drop

Rock crystal drop

It’s not a crystal ball (above) but we predict that the New York Design Center (200 Lexington) will become a one-stop shopping destination for the design community now that 1st Dibs has landed on the 10th floor. The New york Design Center has it all (new, old and vintage) under one roof. Show us what you like. Here are some more of our favorites:

French rock-crystal chandelier, circa 1940s

French rock-crystal chandelier, circa 1940s

(Detail) French rock-crystal chandelier

(Detail) French rock-crystal chandelier

Carved and applied wood, tin and mortar alligator found in Sweden

Carved and applied wood, tin and mortar alligator found in Sweden

pull from a 1950s wall cabinet by Philip Lloyd Powell

pull from a 1950s wall cabinet by Philip Lloyd Powell

Fifties wall cabinet by Philip Lloyd Powell

Fifties wall cabinet by Philip Lloyd Powell

Lavender beauty (walls) and Louis XIV chandelier by Jansen by Roger Prigent

Lavender beauty (walls) and Louis XIV chandelier by Jansen. See Roger Prigent

merchant ship masthead (British, circa 19th century)

Merchant ship masthead (British, circa 19th century)

bleached mahogany side cabinet by Grosfeld House with Norman Mercer pyramidss

Bleached mahogany side cabinet by Grosfeld House with Norman Mercer's fantastic plastic (lucite) pyramids

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Cyberspace 1st Dibs lands at The New York Design Center

Helena Rubenstein's Lucite sleigh bed (c. 1935) at Roget Prigent/1st Dibs

Helena Rubenstein's glow-in-the-dark Lucite sleigh bed (c. 1935) at Roger Prigent/1st Dibs

Do you even remember what shopping was like before 1st Dibs?  Still, we miss the random encounter with a bold antique that suddenly crosses your path. Now you can have it both ways. The online powerhouse 1st Dibs, which connects shoppers to 1,000 art and antiques dealers around the country (as well as Canada, Paris and London), just opened a loft-like pavilion at the New York Design Center (200 Lexington).  No longer confined to cyberspace, design devotee can now cruise the merch of some 50-plus dealers spread out across 33,000 square feet. The selection is tightly edited by  Michael Bruno and only the boldest, most beautiful objets make the cut.  This is a collection of art, antiques and furnishings with a point of view.

What’s different is that you get a real sense of a dealer’s style walking around their room-size booths. We fell in love with special exhibition curated by Roger Prigent of Malmaison. Does anyone not love the over-the-top, glow-in-the-dark Lucite sleigh bed that once belonged to makeup diva Helena Rubenstein? Mr. Prigent’s large shell mirror by Renzo Mongiardino is killer too. Love the lavender walls, sparkling Jansen chandelier and Palm tables by Serge Roche (1898-1988). The mood was very romantic and somehow exotic.FOUR STARS

The monochromatic black assemblages by Philadelphia artist Maria Nevelson are just the kind of random encounter that will keep you coming back for more. “She’s the granddaughter of Louise Nevelson,” explained dealer Eve Kelly Herman of Highland Park. Who knew? Check out the steampunk style furnishings at Get Back Inc.

What did you find?

Large shell mirror by Renzo Mongiardino at Roger Prigent/1st Dibs

Large shell mirror by Renzo Mongiardino and Jansen commode at Roger Prigent/1st Dibs

bronze lobster wall clock, circa 1900 (Ophir Gallery)

Bronze lobster wall clock, circa 1900 (Ophir Gallery)

Opalescent Murano glass chandelier, circa 1970/ Stellar Union booth

Opalescent Murano glass chandelier, circa 1970/ Stellar Union booth

Josef Frank floral cabinet, 1940s/See Hostler Burrows booth

Josef Frank floral cabinet, 1940s/See Hostler Burrows booth

Italian chairs, 1940s

Italian chairs, 1940s

tell us where you find this Jansen mirror-top dining table

tell us where to find this Jansen mirror-top dining table

Frost-smitten cabinetmaker goes fractal

David Lamb's "Palladian Frost-Birch Fractal" (detail) photo by Bill Truslow

David Lamb's "Palladian Frost-Birch Fractal" demilune table (detail) photo by Bill Truslow

Inspired by the patterns of frost fogging up his windows, cabinetmaker David Lamb grabbed his sketchbook. Then he began reading about fractal geometry. “Mathematicians explain that frost and wood-grain patterns are fractals–self-replicating patterns,” says Lamb, who phoned Traditional Home from his studio in Canterbury, New Hampshire. After contemplating frost and fractals, Lamb settled on the design for his dynamic demilune table (detail above) which he named “Palladian Frost-Birch Fractal.”  Wow!

Lamb turned math into art. The pattern of the veneer looks like the facets of a diamond. And the crotch-birch grain pattern looks like a rippling tide. “All the nooks and crannies are another fractal feature,” explains Lamb. “The Bauhaus school of architecture is so sterile and reflects straight Euclidian geometry shapes. I prefer more detail. Fractals are all around us–snowflakes, frost, ferns, mountain ridges.”

The “Palladian” reference refers to the half-circular shape (“like a window”). We love the sweep of the stretcher, which Lamb explains is “the same curve as the apron.”

New Hampshire Artist Laureate David Lamb goes fractal with this demilune table

New Hampshire Artist Laureate David Lamb goes fractal with this demilune table

Lamb has other ideas he would like to explore if a patron were to commission another piece based on fractals. The demilune table pictured here isn’t for sale. For a closer look at the work of New Hampshire’s Artist Laureate  (and a member of the New Hampshire Furniture Masters Association), tap into David Lamb cabinetmaker.

Sound and Vision

Symphony in Color by Tesfaye Tessema

Symphony in Color by Tesfaye Tessema

New paintings by Ethiopian-born Tesfaye Tessema were unveiled at New York’s Skoto Gallery last week (on view through January 22). The soft-spoken artist is at the peak of his performance. Tessema describes his art as “playing jazz with a brush.” We call it eye music. If you put Duke Ellington’s big band on canvas, it would look like Tessema’s “Symphony in Color.” His abstract language of color swings and the United Nations agrees. A few years ago, they turned one of his paintings into a stamp (to raise money for famine relief).

Symphony in Colors III by Tesfaye Tessema

Symphony in Colors III by Tesfaye Tessema

Affordable Art for the holidays

Tesfaye Tessema at New York's Skoto Gallery in Chelsea December 9

Tesfaye Tessema at New York's Skoto Gallery in Chelsea December 9

Art is at the top of my holiday wish list. And one of the best ways to find affordable, museum-quality paintings is by discovering young, emerging talent or rediscovering an established master with a museum track record. That’s why I can’t wait for Thursday, December 9, when Tesfaye Tessema, a native of Ethiopia who lives in Harlem, unveils his newest work at New York’s Skoto Gallery (529 West 20th Street). The artist caught my eye several years ago, but he has a following among top gallerists, museum curators and serious collectors. The Guggenheim Museum has exhibited his paintings and the artist was invited to paint murals for the Smithsonian Institution in Washington. But nothing prepared me for his latest abstract paintings bursting with juicy color. I love the dancing dots and squares.  High-energy and life-embracing, these abstract jewels have a musical quality and shouldn’t be missed. In fact, I’d like to find one hanging on my wall come Christmas morning.

Inside Giacometti’s Studio

Alberto Giacometti's Grande tête mince (Grande tête de Diego), 1954

Alberto Giacometti's Grande tête mince (Grande tête de Diego), 1954

Get thee to the Eykyn Maclean gallery (23 East 67th Street) before December 18 for an intimate peek into the mind of one of the 20th century’s greatest artists, Alberto Giacometti (1901-1966). What you won’t find is the 104 million dollar man, “L’Homme qui marche I,” the sculpture that hogged the headlines a few months ago when it sold at auction.  In fact, almost nothing is for sale.  Instead, the exhibit, organized by art historian Michael Peppiatt, made me feel as if the Swiss artist were in the next room smoking a cigarette.  I felt guilty snooping through his personal drawings scribbled over the inside covers of books and doddled on a telegram (to Matisse!) and newspapers.
Alberto Giacometti's ballpoint-pen portrait of the artist Vincent van Gogh, 1961
Alberto Giacometti’s ballpoint-pen portrait of the artist Vincent van Gogh, 1961

In an art book owned by Giacometti, there’s a face off with Van Gogh (see above). On a torn-out newspaper page reporting on President Kennedy’s assassin, Lee Harvey Oswald, Giacometti scribbled a beard on Oswald’s face. There are several eye-popping bronzes in the show (see Grande tête mince, above), but for a close encounter with best kind, spend time with the sketches and Peppiatt’s new book, In Giacometti’s Studio (published by University Press). Giacometti never felt more alive.

Fabulous Fakes

The BBC’s Antiques Roadshow expert Judith Miller, the brain behind the Miller’s guide books, stopped by Traditional Home’s New York office to spread the word on why now is the right time to collect. She was bitten by the collecting bug some 40 years ago, but there’s never been a better time to buy a piece of history. “You can get astonishing bargains at auction right now,” enthused Judith, who was visiting the U.S. to promote her new book Costume Jewelry (Octopus Publishing).

Judith Miller's new book, Costume Jewelry, along with $4 Dior earrings found in an L.A. thrift shop

In London, a single Chippendale chair made in the 1760s goes for less than $300. What about two, large, blue-and-white transferware platters for $200? “Nineteenth-century chest-of-drawers are going for $150 and will last another 200 years,” said Judith, who keeps her fingers on the pulse of the marketplace through her (free) online price guide millersonline.com. If you’re hankering for grand furnishings at humble prices, try thumbing through Roseberys and Criterion auction-house catalogs available online.

In a thrift shop in Los Angeles, Judith scored a pair of Dior copycat earrings for $4. “Christian Dior did similar earrings, and my thrift-store pair were probably made in the 1960s,” she explained. “That’s why I’m addicted to collecting costume jewelry. There’s still plenty out there and you can find things for very little.”  Some hot spots? Galveston, Texas proved fruitful. What to look for?

  • value is based on rarity, quality design and designer name
  • In order of popularity-Miriam Haskell, Trifari, Chanel and Dior (tie) and Schiaparelli (“Couture costume brings the highest prices”)
  • best quality has prong-set stones (not glued) and heavier
  • variety of glass shapes and cuts
  • weight

Her favorite contemporary costume jewelry designers are Alexis Bittar, Hanna Bernhard and Bijoux Heart. If you love costume jewelry as much as we do, buy the book.  Like the jewelry, it’s a keeper you will refer to again and again.

Prize pig brings $155,000 at auction

The original cover art for Charlotte’s Web went for $155,000 at Dallas-based Heritage Auctions. Drawn by American illustrator Garth Williams for E.B. White’s beloved classic, the illustration was one of 42 consigned by the family. Few among us raising children can ever forget the opening line: “Where’s Papa going with that ax?” Why is it that Wilbur and a kindhearted spider, first introduced to us in 1952, still speak to kids today?   What are your favorite children’s classics?

The cover art for Charlotte's Web brings $155,000 at auction

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Rough and Refined

Primitive Chic at Douglas Dawson Gallery in Chicago ($350!)

Primitive Chic at Douglas Dawson Gallery in Chicago ($350!)

Indonesian artisans turned coconut shells into a shapely, Saarinen-inspired side table for sale at Douglas Dawson Gallery in Chicago. Think how these simple tables with a seemingly rough texture would look coupled with a sumptuous velvet sofa. At $350, the earthy colors offer a lot of visual drama for less than four Benjamins. Gallerist Armando Espana, who works for Douglas Dawson, says some of the tables need wood filler, but he lives with one, too. “It looks good with a stack of books or sculpture,” Armando says.

Hour-glass shape is timeless

Hour-glass shape is timeless

table-top close up

table top close up

Coconut-shell veneer looks chic ($350)

Coconut-shell veneer looks chic ($350)