|
|
Collecting: Gilded Age China and Glass |
| click the photo to enlarge |
|
|
 |
|
|
Text by Doris Athineos
Photographs by Jonny Valiant
Visit the Flagler Museum in Palm Beach, and you’ll probably remember oil tycoon Henry Flagler’s private railcar. But when celebrity makeup artist Kimara Ahnert-pictured above with her mother, Bonnie Rudeski--visited the mansion 10 years ago, a set of 3-D dinner plates blew her away. Captivated by the ethereal, cloudy-white cameo design, she asked the curator who made them (Minton), when (circa 1900), and how they were made (pâte-sur-pâte).
Today, she owns a dozen pâte-sur-pâte (paste-on-paste) plates and enough other glittering porcelain plates and glassware for a Gatsbyesque soiree. "I’m all about the Gilded Age: hand-painted porcelain, silverware, and raised-gold glassware," says Kimara, who picks the dishes before deciding what to serve dinner guests.
"I don’t want a big piece of prime rib covering up my pâte-sur-pâte," laughs the blond, blue-eyed New Yorker, who lives with her husband, Glenn, and 4-year-old son Jonathan in a sunny apartment overlooking Central Park. A self-described "girlie girl," Kimara is also a go-getty girl who runs her own cosmetic company, including skin-care studios in Manhattan and Greenwich, Connecticut. Among her high-profile fans are Gwyneth Paltrow, Isabella Rossellini, Catherine Zeta-Jones, and Princess Firyal of Jordan.
Kimara contracted chinamania from her mother, Bonnie Rudeski, a third-generation hotelier, now retired, and a longtime doll collector. (Think French dollmaker Jumeau, not Barbie.) Together and alone, mother and daughter hunt for vintage tableware at auctions, antiques shows, online (rubylane.com), and favorite shops (Devonia Antiques in Boston and Elise Abrams Antiques in Great Barrington, Massachusetts). She has scored plenty of cut-glass jars and engraved bowls at Paris’s fabled flea markets, but some prized treasures were inherited from glamorous grandmothers.
"Glenn’s grandmother gave us the Mettlach plaque hanging on our bedroom wall," says Kimara. Best known for creating ornate beer steins, the stoneware factory in Mettlach, Germany, was opened in 1836 by Nicholas Villeroy and Eugene Francis Boch, admired today as Villeroy & Boch. "It’s marked ’Mettlach VB’ on the back, and dates to about 1900," explains Kimara. The 21-inch plaque is worth about $1,700, but it’s invaluable to the couple. "It’s the same pâte-sur-pâte technique I fell in love with at the Flagler," she says.
More comfortable in tottering Louboutins than sneakers, Kimara banishes milk cartons from the breakfast table and prefers to pour juice from a cut-glass crystal pitcher. "That’s the way I was raised," she says, slowly running her fingertips along the cameo panels and 22-karat-gold scrollwork as if reading Braille. A pair of Minton cameo plates signed by Albion Birks, an apprentice to Marc-Louis Solon, the factory’s famed French-born paste-on-paste practitioner, retails for about $4,000 today. A set of 16 Minton plates with quarter-size portrait cameos and signed by Birks went for $13,750 at Christie’s in 2008.
For fun, Kimara arranges and rearranges the gem-like placecard holders (above) and glowing raised-gold fruit bowls by Moser. "It’s like jewelry for the table," she coos. The feast for the eyes she creates is pure pleasure. "I would set a table just to entertain myself. It’s almost like playing house."
Antique Moser bowls in a set of 12 each bear the three-letter monogram JCE, which, Kimara says, only adds to their charm. "I really admire the workmanship. That level of detail isn’t easy to find today," she adds. She did recently order Moser’s new "Maharani" champagne flutes during a trip to Prague. "The new glasses have all the elegance and detail of old glass. I’m very comfortable mixing it up, and I use it all. My porcelain and glassware isn’t sitting around gathering dust."
Her favorite finds are by glassmakers Baccarat, Moser, and Lobmeyr as well as domestic powerhouses T.G. Hawkes & Co., Pairpoint, Steuben, and C. Dorflinger & Sons. She drops the names of porcelainmakers as if they were old school chums: Coalport, Dresden, Limoges, Minton, Sčvres, and Tiffany. Her BFFs are the classics--whites, creams, and golds--but only if the surface has some depth. "I really go for raised decoration, whether it’s gold or pâte-sur-pâte. I like the way raised gold or cut glass feels in my hand."
Audrey Hepburn chic, Kimara isn’t moved by minimalism. Even the Reed & Barton’s "Francis I" sterling flatware she inherited from her grandmother offers comforting texture and weight. She registered for the same feminine, flowery 1901 pattern as a 25-year-old bride. "My grandmother and mother have the same pattern, so I can still use the good stuff when I entertain," she explains.
|
|
|
|
|
|
|
© Copyright
, Meredith Corporation. All Rights Reserved. By using this site, you agree to our Terms of Service.